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Whitney Museum

The Whitney Museum of American Art (“The Whitney”) is located at 99 Gansevoort St, New York, NY and was founded in 1930 by sculptor and art patron Gertrude Vanderbilt Whitney. The museum is dedicated to collecting, preserving and exhibiting American art, with a focus on contemporary works. Its collection includes over 25,000 pieces by artists such as Edward Hopper, Georgia O’Keeffe and Jasper Johns. The museum is housed in a building designed by architect Renzo Piano, featuring expansive galleries and outdoor exhibition spaces. Notable exhibitions have included the Whitney Biennial a survey of contemporary American art and “Andy Warhol: From A to B and Back Again.” The Whitney also offers educational programs, artist talks and public events fostering an appreciation for modern and contemporary American art. Read more about Museums.

Exterior view of the Whitney Museum of American Art’s Leonard A. Lauder Building, showing its angled steel facade, glass canopy and upper-level cantilever against a partly cloudy sky.

The 2026 Whitney Biennial Aims to Map a New Geography of American Art in ‘a Moment of Profound Transition’

The chosen artists are "intergenerational and international, reflecting the many ways artists remain interconnected through their practices despite geographic distance," co-director Marcela Guerrero told Observer.
By Elisa Carollo
An artist wearing a cap and gray sweater leans over a large oil-paint printer machine as she works on a printed portrait in her studio.

The Algorithm Thinks You’re Ugly: An Interview With Artist Gretchen Andrew

There is a direct line between lip fillers and the techno-apocalypse, and the artist draws that line with her latest body of work.
By Mieke Marple
A wide view of Paula Cooper Gallery’s main room shows four large abstract oil paintings by Jay DeFeo hanging on white walls under a high wooden ceiling with exposed beams. The concrete floor reflects the muted light, emphasizing the tension between the dark, moody compositions and the open, minimal space.

Five Groundbreaking Postwar Women Artists Lead New York’s Fall Art Season

As the art world makes long-overdue progress toward gender parity, the market for work by women artists has been steadily rising.
By Elisa Carollo

Observer’s 2025 Art Power Index: The Art Market’s Most Influential People

By The Editors, Christa Terry, Dan Duray, Elisa Carollo, Farah Abdessamad and Merin Curotto

The Best Gifts From Museum Shops

By Merin Curotto
A minimalist installation in a bright, white-walled gallery features a dark rectangular panel mounted on the wall, displaying rows of seemingly random white letters and numbers resembling an encrypted code or departure board. In front of it stands a small wooden kneeler with a cushioned pad and an attached cable, evoking a mix of prayer and machine interface. Large windows on the right side let in natural light, illuminating the polished concrete floor and serene, contemplative atmosphere.

Art Basel Launches Zero 10, a New Platform for Digital Art in the Era of Next Gen Collecting

By Elisa Carollo
The exterior of the Breuer building on Madison Avenue, a Brutalist granite structure with deep horizontal bands and a distinctive trapezoidal window, flanked by mid-rise buildings.

Sotheby’s Has Set a Debut Date for Its Landmark Breuer Building Headquarters

By Elisa Carollo
Historic two-story corner building at 201–225 Hamilton Avenue in downtown Palo Alto, built in 1909, with green awnings and a curved façade in early 20th-century architectural style.

Hauser & Wirth Heads to Palo Alto as Mega-Galleries Target Silicon Valley

By Elisa Carollo
"The Subway" by George Tooker.

On View Now: America’s Evolving Identity at the Whitney

By Hudson Warm
Visitors look at the Winged Victory of Samothrace (Victoire de Samothrace) ancient Greek sculpture at The Louvre Museum in Paris.

The Louvre and Other French Institutions Prepare to Raise Ticket Prices for Non-E.U. Visitors

By Elisa Carollo

Margaritas, Max Mara and TLC: Inside the Whitney’s Glamorous 2025 Gala

By Christa Terry
View of the Frick Collection’s entrance hall with limestone walls, arched doorways, a coffered wooden ceiling with gilded details, and a central chandelier.

Observer’s Guide to the New Frick: Highlights and Hidden Details

By Elisa Carollo
Andrea Fraser, Museum Highlights: A Gallery Talk, 1989 Performance, Philadelphia Museum of Art, Philadelphia, PA, February 5,1,112,18 and 19, 1989

How Andrea Fraser Turned Institutional Critique Into a Lifelong Practice

By Xinyi Ye

Art Icons Hit the Whitney for a First Look at Amy Sherald’s ‘American Sublime’

By Christa Terry
A large installation shows two giant red inflatable arms emerging from opposite walls and interacting with a rough stone sculpture at the center, while a bench sits in the middle of the gallery space for viewers.

Christine Sun Kim Explores the Visual Language of Sound at the Whitney

By Mána Taylor
A photograph captures two elegantly dressed women seated at a round table during a formal event, surrounded by other attendees in a dimly lit venue with warm, ambient lighting. The older woman on the left wears a black and white patterned jacket with polka dots, a pearl necklace, and pearl earrings, and has short blonde hair styled in soft waves. The younger woman on the right wears an off-the-shoulder floral dress with large ruffled sleeves, bright orange earrings, and has her hair pulled back in a high ponytail. Both women are smiling slightly, looking directly at the camera, with plates of partially eaten food, wine glasses, and a centerpiece of white flowers on the table. A sign with the number "10" is visible in the background, indicating a table assignment at the event.

Cultural Powerhouses: The Women of Arts Philanthropy, Past and Present

By Aurelie Cauchy and Leslie Ramos
Drawing of a boy dressed like a sailor

From Schiele to Banksy: What to Watch in London’s Spring Art Auctions

By Elisa Carollo
Two ladies sstanding prously and elegantly dressed in a gallery.

How Two Passionate Dealers Revived the Market for a Roster of Lesser-Known American Artists

By Elisa Carollo
Sail boat in a beach with

For Nicholas Galanin, Art Is a Tool of Indigenous Resilience and Resistance

By Elisa Carollo

The Tug-of-War Over Art Museum Ticket Prices Continues

By Daniel Grant
mosaics of a vulcano in eruption

The Whitney Explores Humanity’s Changing Topographies in ‘Shifting Landscapes’

By Elisa Carollo
"Expressions With Frames" Exhibition Preview

The Artist as Philanthropist: Why Giving Back Matters

By Leslie Ramos and Aurelie Cauchy
Climate activists call on NYC's Museum of Modern Art to drop board chair

The Year in Museums: Political Unrest on One Side and Major Gifts on the Other

By Daniel Grant
Image of a black man on a podium

How Derek Fordjour Is Transforming Memphis’ Arts Landscape

By Elisa Carollo
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