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Sarah Moroz

Sarah Moroz is a freelance writer.

  • @SarahMoroz
  • Sarah Moroz
  • @sarahmsnapshot
An art fair booth with white walls and a mix of paintings and sculpture

Young Fair Art Antwerp Leans Into the City’s Centuries-Old Collecting Culture

By Sarah Moroz

“Dirty Looks” at the Barbican Art Gallery Is Intentionally Messy

By Sarah Moroz

“Nigerian Modernism” Reframes the Story of Modern African Art

By Sarah Moroz
A young woman lies asleep in a high, dark wooden bed with her head turned to the side and wrapped in white linens under a blue patterned blanket, captured in a peaceful domestic interior.

Musée Marmottan Monet’s “The Empire of Sleep” Considers Slumber as an Artistic Trope

By Sarah Moroz
A painting by Wayne Thiebaud from 1961 titled Pie Rows shows more than twenty slices of pie—some topped with whipped cream, some fruit-filled—arranged in neat rows on individual white plates across a blue and white tabletop.

At the Courtauld, Wayne Thiebaud’s Poignant—if Long-Vanished—America

By Sarah Moroz
A small white model car with a precarious stack of miniature furniture and yellow cushions on its roof is displayed on a suspended platform at Artissima, with fair visitors blurred in the background.

Artissima’s 32nd Edition Grounded Global Contemporary Art in Regional Identity

By Sarah Moroz
A softly lit painting by Georges de La Tour shows two women gazing in reverence at a swaddled infant glowing with radiant light, evoking a nativity scene without overt religious symbols.

At Musée Jacquemart-André, Georges de La Tour’s Light Shines Brightly

By Sarah Moroz
An image of Erin M. Riley standing in her studio, surrounded by her large woven tapestries that feature human figures, abstract patterns, and birthday motifs.

At PPOW, Erin M. Riley Weaves Her Own Story

By Sarah Moroz
An archival photograph of Chanel-era designs situates the exhibition within the cultural history of Monaco and the French Riviera.

‘Coco Chanel’s Roaring Twenties’ Examines Sporty Silhouettes and Cross-Disciplinary Collaborations

By Sarah Moroz
An art fair booth with four large square red canvases featuring black spray-painted graffiti-like text and shapes, their reflections visible on the polished floor.

Despite Global Reach, Art-o-rama Is Keeping the Spotlight Squarely on Marseille

By Sarah Moroz
A black-and-white photograph shows a shirtless man with curly hair and a beard looking directly at the camera while holding someone’s hand beneath a draped cloth.

In Arles, the Rencontres de la Photographie Showcases the Vernacular, the Archive and the Contemporary

By Sarah Moroz
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